Biography

Berta Rojas,
Classical Guitarist, Winner of the Latin Grammy®️
Associate Professor of Berklee College of Music

With the 2025 release of The Journey of the Strings, an ambitious multimedia exploration of the guitar's rich history in the Americas, Latin Grammy® winner Berta Rojas reaffirms her status as not only one of today's foremost classical guitarists but also an influential force in the music world.

Hailed as a “guitarist extraordinaire” by the Washington Post, she is a global ambassador for the classical guitar, seeking to stretch boundaries and bridge cultural divides. In The Journey of the Strings, a soul-touching tale of musical transformation presented across multiple formats—vinyl, streaming, videos, app and augmented reality book—Berta continues that mission.

She earned a Latin Grammy in 2022 for her album Legado, and one of the pieces she performed on the recording—Anido's Portrait—won its composer Sergio Assad the award for Best Contemporary Classical Composition.

Berta has received three other Latin Grammy nominations as well: Best Tango Album for History of Tango (2015), recorded with the Camerata Bariloche; Best Classical Album for Salsa Roja (2014); and Best Instrumental Album for Día y Medio (A Day and a Half), a collaboration with Paquito D’Rivera (2012). In 2025, she was appointed to the Latin Recording Academy's prestigious Board of Directors.

Berta's electrifying technique, warmth and musical artistry have won audiences' hearts worldwide, including at such major venues as the 92nd Street Y, Carnegie Hall's Weill Recital Hall, Lincoln Center's Fredrick P. Rose Hall of Jazz in New York; the South Bank Centre and Shakespeare's Globe as a guest of the grand master John Williams in London; the Kennedy Center in Washington D.C.; and Flagey Studio 4 in Brussels, performing with the Brussels Philharmonic Orchestra for Belgian National Television.

In 2011, Berta, along with guest artist Paquito D’Rivera, initiated the four-year tour “In the Footsteps of Mangoré”, following the travels of Paraguay's Agustín Barrios, pioneer of the classical guitar in the Americas. The duo performed in 20 countries in Latin America and the Caribbean, concluding the journey at the National Theater of San Salvador, the final resting place of the celebrated composer.

But wherever she performs, Berta transports listeners, taking them on a colorful voyage of sound, often embracing new works by composers in diverse genres.

In addition to continually expanding her own artistic career with frequent international concert tours and master classes, Berta Rojas is passionately committed to encouraging and furthering the study and playing of the classical guitar. A particular focus is on promoting the music of her country, Paraguay, as well as Latin American music more widely. Providing ongoing support for the careers of young upcoming guitarists is an area dear to her heart, with projects in different formats such as the Barrios WorldWideWeb Competition, the Ensemble Pu Rory (in the Guaraní language, Festive Sounds), Instrumentoteca and Jeporeka, among others.

After initial studies in Paraguay under masters Felipe Sosa and Violeta de Mestral, Berta continued her musical education in Uruguay as a student of Abel Carlevaro, Eduardo Fernández and Mario Payseé. She went on to get a master's in music at the Peabody Institute under Manuel Barrueco, Ray Chester, and Julian Gray. In 2017, Berta joined the faculty of Berklee College of Music as an Associate Professor, sharing her knowledge and love of music with a select group of young guitarists from various parts of the world.

She was named a Fellow of the Americas of the Kennedy Center for the Performing Arts for her artistic excellence, and honored by her country with the title, Illustrious Ambassador of Musical Arts, granted by the Senate. In 2015, the Chamber of Deputies awarded her the National Order of Merit of the Comuneros, and the Cabildo of the capital, Asunción, the title of Master of the Arts. The Autonomous University of Encarnación granted her an Honorary Doctorate in 2016 as did the Universidad Americana. The Foreign Ministry of Paraguay gave her the National Order of Merit Don José Falcón in 2017 in acknowledgement for her outstanding contribution to culture. The Carlos Colombino Award bestowed by the National Secretariat of Culture followed suit. In 2019, the National University of Asunción also granted her an Honorary Doctorate. In 2022, Berta received the Golden Guitar Award: A Life Dedicated to the Guitar, bestowed by the Giuseppe Verdi Conservatory of Milan. More recently in 2023, she was awarded the National Order of Merit in the Grade of “Grand Cross,” the highest degree of recognition granted by Paraguay.

Reviews

…the unbearable heat and humidity outside Meralco Theater didn’t dampen the spirit of Manila’s music lovers who gave Paraguay guitar icon Berta Rojas a standing ovation after the last section of Agustin Pio Barrios Mangore’s “La Catedral,” which left no doubt about the immense stature of the visiting artist
Pablo A. Tariman
[ Philippine Daily Inquirer ]
…all is performed to perfection by an artist who seemingly takes everything in her stride… One runs out of superlatives when writing about Berta Rojas, it has all been said before, countless times
Steve Marsh
[ Classical Guitar Magazine ]
Rojas clearly has Barrios’ music deeply in her blood
Stephen Brookes
[ Washington Post ]
The music on ‘Terruño’ proves to be some of the most expressive and idiomatic guitar music in the repertoire.. Terruño contains some of the most exciting pieces recently written for solo guitar, and uses every aspect of the instrument. Rojas executes the fast scales and arpeggios, harmonics, rasgueados, and percussive tapping techniques with incredible precision, tone, and clarity. She performs this music as if she has always known it, with the deepest understanding and passion and her expert musicianship shines through this recording
Brad Conroy
[ Guitar International ]
…a very full audience was treated to an evening full of warmth, sensitivity and magic, beginning the very moment Ms. Rojas stepped onto the stage. The elegance, grace, rhythm, warmth, strength, sadness and humour were stunningly balanced in what would seem a perfect combination of composer and performer. The result? A truly magical performance
Hayley Savage
[ Bristol Guitar Society Newsletter ]
Berta Rojas is a master guitarist who displays outstanding technical and musical capabilities in this recording ‘Intimate Barrios’. Her feeling for the music imbues these interpretations with qualities that reflect what one imagines Barrios originally intended
Zane Turner
[ MusicWeb International ]
Ninety minutes maintained at the highest level of performance and interpretation
Colin Cooper
[ Classical Guitar Magazine ]
Rojas is Rojas and that is the highest complement one could bestow upon another
Travis Rogers, Jr
[ The Jazz Times ]
This concert was an entirely masterful performance
Martin Slater
[ Southampton Guitar Society Newsletter ]
As a performer, Rojas ranks among the top players of the day as she is both technically proficient and emotionally expressive on every piece
Dr. Matthew Warnock
[ Modern Guitar Magazine ]
…In the hands of Berta Rojas, the classical guitar truly becomes the world’s instrument--a means of bridging wide cultural divides via the uncommon clarity and inherent loveliness of her music
Mark Holston
[ Latina Magazine ]
…Berta Rojas, guitarist extraordinaire
Mark Adamo
[ Washington Post ]
…an ambassador of the classical guitar
Tim Panting
[ Classical Guitar Magazine ]
…heart-touching musical artistry
Jim McCutcheo
[ Soundboard Magazine ]
…only once in a great while does a classical CD come along which is so impeccable in every aspect of professionalism: heart touching musical artistry, interesting repertoire, and excellent technical production. Paraguayan guitarist Berta Rojas ‘Cielo Abierto’ is one of these
Jim McCutcheon
[ Soundboard ]
I have not watched another guitarist who could draw such warmly golden tones out of a piece of wood! Nor have I encountered a guitar more sonorous or more deeply throated; listening to this one guitar was equivalent to listening to a choir of them!
Julie Yap Daza
[ Tempo Philippines Newspaper Tabloid ]